This is an extreme close up shot of Marion after she has been
killed by who we are lead to believe is Norman’s mother. The close up shot is
there to make the audience fell uncomfortable and to feel emotion. Close ups
like this can also make people feel slightly claustrophobic and uneasy. What
looks like a tear is actually water from the shower. If someone was to see this
picture that hadn’t seen the film they would assume it was a tear. Marion has
the shower curtain pulled across before we see her killer which makes her very
confined, almost trapped. The fact that Marion is naked in the shower, adds to
the idea that her killer is a sadist. In this scene we also see a bit of blood
and gore. It appears swirling around the plug hole, just like how the camera
spins out from Marion’s eye. This is very much like a Kuleshov effect with the
two shots helping us understand Marion’s life is swirling away. This also
follows the classic psycho scene with the sharp, parallel music in the
background. This scene is a very long shot in terms of time for a horror
sequence which contrasts with the quickness of the shower scene. This is Hitchcock
using collision cutting, making the shower scene more fast and brutal and this
scene slower and sad.

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